Brainbuster Question of the day for Fri, Jan 2nd, '09

Q: In which 1992 sports film did Tom Hanks play the role of an overweight, obnoxious drunk?



A: A LEAGUE OF THEIR OWN

Sensational '70's Tune for Jan, 2nd, '09

Best remembered for her number one R&B hit "Rockin' Chair" from 1975, Gwen McCrae was a gutsy Southern soul diva with a particular affinity for dance tracks. Along with her husband George ("Rock Your Baby"), Gwen was part of the Miami-based T.K. Records stable, which laid a great deal of groundwork for the disco explosion. Born Gwen Mosley in Pensacola, FL, in 1943, she grew up singing in her Pentecostal church and later discovered secular singers like Sam Cooke and Aretha Franklin. She began performing in local clubs as a teenager, also singing with local groups like the Lafayettes and the Independents. In 1963, she met a young Navy sailor named George McCrae, whom she married within a week. When George was discharged, he re-formed an earlier group he'd sung with called the Jivin' Jets, and invited Gwen to join as well. Soon, however, George and Gwen split off to form a duo -- aptly dubbed George & Gwen -- and moved to West Palm Beach to perform in clubs all over South Florida.

George & Gwen were discovered in 1967 by singer Betty Wright, who helped get them signed to Henry Stone's Alston label. Their debut single, "Three Hearts in a Tangle," was released in 1969; the follow-up, "Like Yesterday Our Love Is Gone," marked the first time they worked with the writing team of Clarence Reid (who would later morph into the bawdy comic Blowfly) and Willie Clarke. Both were regional hits, as was third single, "No One Left to Come Home," although none of those records broke nationally; meanwhile, the McCraes and Wright were collectively earning a reputation as stellar session vocalists. In 1970, one of Gwen's solo recordings, the Bobby "Blue" Bland cover "Lead Me On," was picked up by Columbia and became her first Top 40 hit on the R&B charts. In the wake of that breakthrough, George temporarily retired from singing to become her manager, and Alston leased her contract to Columbia; she recorded several more singles over the next few years, but without comparable chart success.

Columbia declined to renew McCrae's contract in 1973, and she was signed to a different Henry Stone label, the T.K. subsidiary Cat. She had a regional hit with "He Keeps Something Groovy Goin' On" that year, and then her second national hit with the R&B Top 20 "For Your Love" (originally recorded by Ed Townsend). However, her minor 1974 hit "It's Worth the Hurt" was overshadowed by George's across-the-board smash "Rock Your Baby," a song originally intended for Gwen that heralded disco's arrival on the pop charts. It was Gwen's turn in the spotlight the following year, when she took the sexy Reid/Clarke composition "Rockin' Chair" all the way to the top of the R&B charts, not to mention the pop Top Ten. In the wake of its success, McCrae released her first-ever album (also called Rockin' Chair) and scored further R&B hits with "Love Insurance" and "Cradle of Love."

By this time, the separate successes were taking their toll on the McCraes' marriage (Gwen has since alleged that her husband beat her frequently). A 1976 duet single, "Winners Together, Losers Apart," fell short of the R&B Top 40, and a full album of duets failed to assuage matters. The couple split later that year, and Gwen scored what turned out to be her last chart hit for Cat, "Damn Right It's Good." Despite a fine effort with the 1978 LP Let's Straighten It Out, McCrae's commercial momentum was stalled, and although 1979's "All This Love That I'm Giving" later became a favorite on Britain's Northern soul scene, it didn't attract much attention upon its release. With the T.K. label family in serious financial trouble, McCrae moved to New Jersey and signed with Atlantic in 1980, a stint that produced two albums (Gwen McCrae and On My Way) and several chart singles still prized by collectors: "Funky Sensation," "Poyson," and "Keep the Fire Burning." Feeling underpromoted, McCrae moved back to Florida, cut a one-off single for the small Black Jack label in 1984 called "Do You Know What I Mean," and retired from the music business.

McCrae was rediscovered by the British Northern soul and rare groove scenes during the '80s, and she traveled to England to record a couple of singles for Rhythm King in 1987. Pleased with her enduring popularity in the U.K., McCrae eventually recorded an entire album for the British Homegrown label in 1996, titled Girlfriend's Boyfriend. Upon returning to America, she signed with the revived Goldwax label, distributed by Ichiban, and recorded another album later that year, Psychic Hot Line. In 1998, Ichiban reissued Girlfriend's Boyfriend in the U.S. McCrae returned in 1999 with Still Rockin', which received favorable reviews in blues and classic soul circles.

A Happy New Year for sports fans !!

For the Sports fan in everyone, a couple of neat opportunities to catch some historic events on the tube while recuperating or still reveling in the New Year's festivities:

Click on the links below to find out more !!



http://www.nhl.com/ice/eventhome.htm?location=/winterclassic/2009

Check it out @ noon on NBC then after that tune in @ 5 pm to Comcast channel 410 or Direct TV channel 213 for this:



http://mlbnetwork.mlb.com/network/index.jsp




Looking forward to the MLB Network !

Enjoy!

Brainbuster Question of the Day for Thu, Jan 1, '09

Q: Which Japanese technology company was named after the English phrase, Service and Games?




















A: SEGA

A Happy New Year Gift !

For those of you wondering, WCSJ's News Director Jay Capron & his wife, Devin welcomed John William Capron IV, otherwise known as Jack into this world earlier this week.

He weighed in at 7 lbs, 15 oz. and was 20 3/4" long.

























Congratulations Devin & Jay !!

Happy New Year !!

Wishing you and your family & all of my listeners a happy and healthy New Year !!

Sensational '70's Tune for Thu, Jan 1, '09

#1 on New Years Day 1977:



Though it shares a title with Neil Young's stark and harrowing cautionary tale, Rod Stewart's "Tonight's the Night" is a whole different case altogether. A lush and undeniably sultry come-on to a "virgin child," the song is a pretty good representation of most of the singer/songwriter's influences up to that era, 1976 and the LP A Night on the Town. One can hear a bit of Sam Cooke fronting a Stonesy take on early- to mid-'70s Philly soul -- a sort of more-produced "Fool to Cry." But Hot Rod's song oozes pure wanton desire. His lascivious propositions are aimed at a young girl who seems to be falling under the experienced Lothario's spell: "Don't say a word my virgin child/Just let your inhibitions run wild." His innuendo is none too subtle -- "Spread your wings and let me come inside." Hold on, my glasses are getting foggy.

Musically, the piece just flows and sounds good and fat in the way that only those mid-'70s rock productions do. Guitar lines play in harmony (guitarmony), a technique that some of us are sad to see under-utilized nowadays. The arrangement is nice and easy, with a stellar assembly of A-list sidemen, sounding great on those hot summer nights on AM car radios. After a lovely wistful introduction, the liquid phase shifter guitar parts flow and weave around each other and acoustic guitars, organ, and swelling strings. There is a nice little sax break that makes one think that the song is not actually very far away from the romantic coos of the later, Brian Ferry-led Roxy Music. Where have all the rock & roll ladykillers gone?